They never wanted to be the center of attention. Bangalter and Homem-Christo obscured their faces, wearing paper bags over their heads in interviews and smudging their pictures on the album art. Music videos directed by Michel Gondry and Spike Jonze made Daft Punk oddball favorites on MTV. That album dropped in 1997, and rocketed the top of the underground. Their debut album was recorded using a make-shift “studio” that David Guetta once described as “two small Mackeys, 8tracks connected together, a ghetto blaster, no real monitor and… only one compressor on the master.” It was made at home - well before “bedroom pop” became a widely accepted genre - so they called it Homework. He helped the band sign to Virgin Records, navigating the relationship to be more like a partnership, as Daft Punk valued creative control above all else. Daft Punk needed a manager.Įnter Pedro Winter, a Parisian rave promoter as lanky as he was enthusiastic. In 1995, they released “ Da Funk,” a stomping, side-winding synth riff that the duo told Swedish magazine Pop #2 was inspired by weeks of listening to Warren G’s 1994 G-funk masterpiece, “Regulate.” Britain’s big beat heroes The Chemical Brothers liked it, incorporating the song’s upbeat robotic snarl into their live shows.
Taking their name from their failure, Daft Punk released a song called “ The New Wave,” (later called “Alive”) in 1994. French Touch, as a style, was gloriously simple and unimaginably effective. Gay clubs and French castles pulsed with samples of disco and soul repeated and stretched into euphoric mantras. Brancowitz went on to play guitar in the extremely successful alt-rock band Phoenix, and the other two turned to embrace the underground sounds of Paris’ bubbling warehouse rave scene. In Bangalter’s own words, it “was pretty average,” so Darlin’ broke up. Daft Punk Break Up After 28 Years With Eight-Minute 'Epilogue' Video
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